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Jannis Kounellis (; 23 March 1936 – 16 February 2017) was a Greek Italian artist based in Rome. A key figure associated with , he studied at the Accademia di Belle Arti in Rome. Arte Povera artist Jannis Kounellis has died, aged 80


Life and work
Kounellis was born in , Greece in 1936. He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956.

From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics.Christov-Bakargiev, Carolyn. Arte Povera. London: Phaidon Press Limited, 1999. 251. Print. From 1963, Kounellis introduced in his artworks, among them live animals but also fire, earth, sacks, and gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974, he performed with , , and other artists in Berlin at the ADA – Aktionen der Avantgarde. ADA – Aktionen der Avantgarde. medienkunstnetz.de His work has become integral to numerous renowned, international museums' collections. Jannis Kounellis. guggenheim.org


Arte Povera
In 1967, Kounellis became associated with , a movement theorized by curator as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in curated by Celant, which brought together artists whose work was concerned with the space between art and life, and nature and culture. Examples of artists who substantiated this basis of Arte Povera as a movement include , , , , and .
(2026). 9780714845562, Phaidon.
To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope, and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant.

In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief."

(2026). 9780714845562, Phaidon.
The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects into his installations. He also looked beyond the gallery environment to historical (mostly industrial) sites. In 1997, Kounellis installed thirteen wardrobes and two doors that were sealed in lead along a scaffolding ledge that blocked the entry to a central hall. In 1968, in an interview by Marisa Volpi. Kounellis stated that incidental adjustments are certain as aspects that can indicate the human liberty of life.
(2026). 9780714845562, Phaidon.


Exhibitions

Selected solo exhibitions
  • 1960: La Tartaruga gallery, Rome
  • 1969: Attico Gallery, Rome
  • 1981: , Eindhoven
  • 1982: Whitechapel Art Gallery, London
  • 1988: Castle of Rivoli, Turin
  • 1996: Museo Nacional Centro de Arte Reina Sofía, Madrid
  • 2005: , Vienna
  • 2007: Neue Nationalgalerie, Berlin
  • 2007: Kounellis - Jaffa Port, Jaffa, Israel
  • 2009: , London
  • 2012: Goulandris Museum of Cycladic Art, Athens
  • 2013: 'Kounellis per Trieste', Salone degli Incanti, ,

  • 2016: Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba
  • 2016: Monnaie de Paris, Paris
  • 2016: The Negev Museum of Art, Beersheva, Israel; curator Adachiara Zevi;
  • 2019: , Venice


Arte Povera group shows
  • 1967: 'Arte Povera – e IM Spazio', La Bertesca Gallery,
  • 1968: 'Arte Povera', De Foscherari gallery, Bologna
  • 1968: 'RA3 Arte povera + Azioni povere', Arsenali della Republica, Amalfi
  • 1969: 'Live in Your Head: When Attitudes become Form', Kunsthalle, Bern
  • 1969: 'Op losse schroeven: situaties en cryptostructuren' 1969 Stedelijk Museum, Amsterdam
  • 1970: 'Conceptual Art, Arte Povera, Land Art', Galleria Civica d Arte Moderna, Turin
  • 1982: 'Arte Povera, Antiform, Sculptures 1966–69', CAPC Centre d'Arts Plastiques Contemporains, Bordeaux
  • 2001: 'Zero to infinity: Arte Povera 1962–1972', Walker Art Center, Minneapolis


International exhibitions
Kounellis participated in many international exhibitions, including the Biennale of Paris (1971), (1972, 1977, 1982), the (1972, 1976, 1978, 1980, 1984, 1988, 1993, and 2011), the Istanbul Biennial (1993), and the Biennale of Sydney (2008). His work has also been exhibited in many museums and institutions such as the Kunstmuseum in Bern, the Museum Boijmans Van Beuningen in Rotterdam, The Musée d'Art Moderne de la Ville de Paris, the Whitechapel Art Gallery in London, The Museum of Contemporary Art in Chicago, the Museo Nacional Centro de Arte Reina Sofía in Madrid, and the Neue National gallery in Berlin. Kounellis at the Guggenheim Museum In 1994, Kounellis held an exhibition titled Ionion, in which he displayed his work on a boat docked in his town of birth in Piraeus, Greece. He later curated another exhibition that on another ship called Apollo in 1973 as an addition to "Ionion".*[5]


Later works and life
In October 2009, Kounellis exhibited many works at Gallery in London, United Kingdom. Jonathan Jones of newspaper noted that his "Dry-stone walling, sacks of grain and rice, and a painting that includes part of the score of St John Passion by , bring a sense of real life, organic and ancient, into the museum."Jones, Jonathan (19 May 2009) Arte Povera makes history come alive at Tate Modern, The Guardian

On 16 February 2017, Kounellis died at the Villa Mafalda hospital in Rome at the age of 80.

His estate is represented by Barbara Gladstone Gallery, New York/Brussels, and Sprovieri, London.


Bibliography
  • Germano Celant, Kounellis, , Milan, 2019.
  • Philip Larratt-Smith, , Michele Robecchi (ed.), Jannis Kounellis, , London, 2018.
  • Adachiara Zevi, Jannis Kounellis: The Negev Museum of Art, Be'er Sheva, Israel, 2017.
  • Annegret Laabs, Jannis Kounellis, Berlin, Jovis, 2012.
  • Mario Codognato, Mirta D'Argenzio: Jannis Kounellis: Echoes in the Darkness, , London, 2012.
  • Bruno Corà, Annamaria Maggi, Ruggero Martines, Jannis Kounellis, Silvana, Milan, 2011.
  • Ines Goldbach, Wege aus der Arte Povera. Jannis Kounellis im Kontext internationaler Kunstentwicklung, Gebrüder Mann, Berlin, 2010.
  • Adachiara Zevi, Kounellis: Jaffa Port, Har-El Printers & Publishers, 2007.
  • Stephen Bann, Jannis Kounellis, Reaktion Books, Berlin, 2004.
  • Dieter Roelstraete and Jan Hoet, Jannis Kounellis, Charta Art Books, Milan, 2002.
  • Mary Jane Jacob, Jannis Kounellis, Museum of Contemporary Art, Chicago, 1986.


External links

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